The limited characterization and curious lack of physical descriptors (the enslaved skral seem to be fair-skinned) detract a bit from the worldbuilding, and readers may find the princess-slave love story inherently problematic. Ciccarelli has clearly poured care into both the creation of her world, which rests on a religious foundation without a real-world analogue, and her complex but well-managed plotting. But a rule-breaking (and attractive) slave, the return of Kozu, an allegiance with the scrublanders, and Asha’s impending wedding to the sadistic commandant lead Asha to rebellion. As a child, Asha rebelled and told stories to dragons until the First Dragon, Kozu, burned her and half the city. Ciccarelli’s debut checks all the boxes for teen high fantasy.Īsha, the Iskari (a ceremonial warrior named for “a deadly” god) and a princess, believes in the new order of her homeland: dragons should be killed, not worshipped skrals deserve their enslavement-collared, penned, not allowed to look at draksors, members of the ruling caste.
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